ARTOPSY

🔬 Coral Gables, Florida · Est. 2026

ArtOpsyRoom

"Somos Arte y Sanos"

A Bilingual Podcast for the Real People of Miami  ·  Un Podcast para la Gente Real de Miami

¡BICTURIIIIII!  ·  Arte de los que Sudaron  ·  Somos Arte y Sanos  ·  Who we were. Who we are. We are not backing down.  ·  Los que se mojaron el butt aquí  ·  La hicieron ellos  ·  #ArtOpsyRoom  ·  ¡BICTURIIIIII!  ·  Arte de los que Sudaron  ·  Somos Arte y Sanos  ·  Who we were. Who we are. We are not backing down.  ·  Los que se mojaron el butt aquí  ·  La hicieron ellos  ·  #ArtOpsyRoom  · 

The Forensic
Art Show Miami Needs

Every city has monuments. Not every monument deserves to live. ArtOpsy Room is a bilingual video podcast that forensically examines public art, monuments, and civic sculptures across Miami and South Florida.

We follow the evidence. Who commissioned it. Who paid. Who benefits. Whose cultural heritage was displaced. All sides presented. The community draws its own conclusions.

Every episode ends with a concrete remedy — something real, organic, and rooted in the sweat of the people who actually built this city.

"Before there was a city, there were people. Los que se mojaron el butt aquí. Los que la sudaron duro aquí. Los que hicieron esta ciudad." — Aldo Ducci, Chief ArtOpsist

The Tools
of the Trade

🔬
The Dermal Punch
Minor correction needed. The patient survives with minimal intervention.
🔪
The Bisturí
Precise incision required. One careful cut. ¡Bicturiiiiii! The patient can survive — with intervention.
✂️
Metzenbaum Scissors
Deeper tissue removal. The problem is not superficial.
🦷
The Bone Saw
Structural amputation. The limb cannot be saved and is poisoning the whole body.
The Defibrillator
Dead art kept alive artificially by institutional budget. No pulse. Never had one. CLEAR!
🧨
Controlled Demolition
Total structural failure. Not the sculpture — the system that placed it. Cuban name: ¡Fuera!
🌺
The Irrigation Needle
RARE. For when something organic and true is found. "Put everything down. This one just needs water."

Patients
on the Table

001
El Buey Bitcoin — The Miami Bull
Miami Beach Convention Center / Miami Dade College · Instrument: 🪓 The Axe
Ready
002
Las Flores — The Aycock Sculptures
Coral Gables, Segovia Street · Instrument: 🧨 Controlled Demolition
Queued
003
El Merrick — Wrong Instrument
Coral Gables City Hall · Instrument: 🔪 Bisturí
Queued
004
Deauville Hotel — Demolition by Neglect
Miami Beach, Collins Avenue · Instrument: ⚡ Defibrillator
Queued
005
Freedom Tower — What Are We Waiting For?
Downtown Miami · Instrument: 🌺 Irrigation Needle
Queued
006
Your Nomination — Community Case
Location TBD · Follow @arkiteko.co to nominate
Open

Arte de los
que Sudaron

Before there was a city, there were people. Before the fence. Before the deed. Before the permit. Before the code. There was a mango tree.

Bahamian hands built Coconut Grove. Julia Tuttle carved Miami from wilderness. Cuban exiles breathed life into Little Havana. Venezuelans built Doral from nothing. Boricuas gave Morningside its soul. Haitians planted Little Haiti with dignity. Dominicans made Allapattah pulse.

Their monument is not a million-dollar sculpture selected by a committee of strangers. Their monument is the neighborhood itself. The mango tree in the chain-link yard. The avocado that fed three generations.

Public art must honor THEM — through wind, through color, through the flowers they knew back home. Through God's creation. Not man's agenda.

Public art should have roots as deep as a mango tree. Not installed. Not commissioned. Not curated. Grown.

Join the movement · Únete al movimiento

@arkiteko.co

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